The Galion Inquirer

Scrapbook tells how Rudolph went down in history

AP News — Staff

A first edi­tion of “Rudolph, the Red-Nosed Rein­deer”, bot­tom, and an orig­i­nal lay­out, top, part of a spe­cial col­lec­tion at Dart­mouth Col­lege, are dis­played on Tues­day, Dec. 20, in Hanover, N.H. The book is from the estate of Robert May, a Dart­mouth grad­u­ate who wrote the famous story in 1939 as part of a Mont­gomery Ward mar­ket­ing cam­paign. (AP Photo/Toby Talbot)

By HOLLY RAMER

Asso­ci­ated Press writer

HANOVER, N.H. (AP)—You know Dasher and Dancer and the rest of the gang. But do you recall, the most “Per­fect Christ­mas Crowd-Bringer” of all?

That’s how exec­u­tives at Mont­gomery Ward orig­i­nally described Rudolph the Red-Nosed Rein­deer, who first appeared in a 1939 book writ­ten by one of the company’s adver­tis­ing copy­writ­ers and given free to chil­dren as a way to drive traf­fic to the stores.

Curi­ous to know more about how Rudolph really went down in his­tory? It’s all in the pages of a long-overlooked scrap­book com­piled by the story’s author, Robert L. May, and housed at his alma mater, Dart­mouth College.

AP News — Staff

Children’s notes in a scrap­book on “Rudolph, the Red-Nosed Rein­deer,” are dis­played Tues­day, Dec. 20, in Hanover, N.H. (AP Photo/Toby Talbot)

May donated his hand­writ­ten first draft and illus­trated mock-up to Dart­mouth before his death at age 71 in 1976, and his fam­ily later added to what has become a large col­lec­tion of Rudolph-related doc­u­ments and mer­chan­dise, includ­ing a life-sized papier-mache rein­deer that now stands among the stacks at the Rauner Spe­cial Col­lec­tions Library. But May’s scrap­book about the book’s launch and suc­cess went unno­ticed until last year, when Dart­mouth archivist Peter Carini came across it while look­ing for some­thing else.

No one on staff cur­rently knew we had it. I pulled it out and all the pieces started falling out. It was just a mess,” Carini said.

The scrap­book, which has since been restored and cat­a­logued, includes May’s list of pos­si­ble names for his story’s title character—from Rod­ney and Rollo to Regi­nald and Romeo. There’s a map show­ing how many books went to each state and let­ters of praise from adults and chil­dren alike.

The scrap­book also chron­i­cles the mas­sive mar­ket­ing cam­paign Mont­gomery Ward launched to drum up news­pa­per cov­er­age of the book give­away and its efforts to pro­mote it within the company.

Near the front of the scrap­book is a large col­ored poster instruct­ing Mont­gomery Ward stores about how to order and dis­trib­ute the book. An illus­tra­tion of Rudolph sweeps across the page, his name writ­ten in ornate script. There are excla­ma­tion points galore. “The rollinckingest, rip-roaringest, riot-provokingest, Christ­mas give-away your town has ever seen!” ”A laugh and a thrill for every boy and girl in your town (and for their par­ents, too!)”

Rudolph is described as “the per­fect Christ­mas crowd-bringer,” if stores fol­low a few rules, includ­ing giv­ing the book only to chil­dren accom­pa­nied by adults. “This will limit ‘street urchin’ traf­fic to a min­i­mum, and will bring in the PARENTS … the peo­ple you want to sell!”

The response was overwhelming—at a time when a print-run of 50,000 books was con­sid­ered a best-seller, the com­pany gave away more than 2 mil­lion copies that first year and by the fol­low­ing year was sell­ing an assort­ment of Rudolph-themed toys and other items.

But lest this become a story about cor­po­rate greed, it should be noted that in 1947, Mont­gomery Ward took the unusual step of turn­ing over the copy­right to the book to May, who was strug­gling finan­cially after the death of his first wife.

He then made sev­eral mil­lion dol­lars using that in var­i­ous ways, through the movie, the song, mer­chan­dis­ing and things like that,” Carini said. “I think it’s a great story because it shows how cor­po­ra­tions used to think of them­selves as part of civil soci­ety and how much that has changed.”

May even­tu­ally left Mont­gomery Ward to essen­tially man­age Rudolph’s career, which really took off after May’s brother-in-law Johnny Marks wrote the song (made famous by Gene Autry in 1949), and the release of a stop-motion ani­mated tele­vi­sion spe­cial in 1964.

Both the song and movie depart sig­nif­i­cantly from May’s orig­i­nal plot, how­ever. In May’s story, Rudolph doesn’t live at the North Pole or grow up aspir­ing to pull Santa’s sleigh—he lives in a rein­deer vil­lage and Santa dis­cov­ers him while fill­ing Rudolph’s stock­ing on a foggy Christ­mas Eve.

And you,” Santa tells Rudolph, “May yet save the day! Your won­der­ful fore­head may yet pave the way!’”

May’s story is writ­ten in verse, sim­i­lar to “The Night Before Christ­mas” by Clement Clarke Moore, and opens, “‘Twas the day before Christ­mas and all through the hills/ The rein­deer were play­ing … enjoy­ing the spills.”

It’s lovely to hear it read out loud, it really comes alive,” Vir­ginia Herz, one of May’s daugh­ters, said in a phone inter­view this week.

As a small child, Herz, who declined to reveal her age, didn’t think there was any­thing unusual about grow­ing up in a house sur­rounded by Rudolph mer­chan­dise. It wasn’t until she was older that she real­ized her father’s job of “tak­ing care of Rudolph” was a bit dif­fer­ent. She tells her grand­chil­dren that their great-grandpa wrote a story about Rudolph, not that he cre­ated the character.

As I child, that’s how I felt. I knew my dad had writ­ten a won­der­ful book about Rudolph and now there were Rudolph toys and other things all around us,” she said. “But it was no dif­fer­ent than the guy next door who sold cars, or the guy down the street who was a paint­ing contractor.”

She acknowl­edges the myths that have become entwined in Rudolph’s his­tory —includ­ing the notion that May wrote the story as a Christ­mas gift for his older daugh­ter, Bar­bara, when his wife was dying of can­cer and that a Mont­gomery Ward man­ager “caught wind of the lit­tle sto­ry­book.” In real­ity, Mont­gomery Ward assigned May to write a Christ­mas book around the same time his wife was ill, Herz said.

”What’s out there on the Inter­net is a softer telling,” she said. “My dad was aware of it and con­sid­ered it appro­pri­ate. There’s the softer, roman­tic ver­sion and the more fact-based version.”

Herz said her father would be thrilled to see how his cre­ation and its many incar­na­tions have become part of Amer­i­can culture.

I think he would be star­tlingly amazed,” she said. “It really is an eter­nal part of Christ­mas. He would have been amazed.”

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